Or, to put it another way, could this soprano be what the Met needs for Roberto Devereux?
While you ponder the future, you can enjoy the past: the final act of Verdi’s Macbeth is now on Unnatural Acts of Opera.
Or, to put it another way, could this soprano be what the Met needs for Roberto Devereux?
While you ponder the future, you can enjoy the past: the final act of Verdi’s Macbeth is now on Unnatural Acts of Opera.
La DiDonato is joined here by Gabriele Fontana and Eric Cutler in this 2005 video.
The Met officially announced today that the company will stage Anna Bolena for Anna Netrebko for the opening night of the 2011-2012 season (old news to you, cher public!) and, the following season, Maria Stuarda for Joyce DiDonato.
The company has no current plans to produce Roberto Devereux. In what La Cieca is choosing to consider a stinging slap in the face to — well, at least one soprano — Peter Gelb explained, “The problem is casting ….There’s no singer around today who can sing [Elisabetta].”
And you may make what you will of la Netrebko’s statement about the Bolena: “Fortunately, it’s far enough in the future that I’ll have time to learn it really well.”
On the current episode of the all-new Unnatural Acts of Opera, the Apocryphal Opera Anecdote Theatre of the Air presents the two-act radio drama “Adelina Patti’s Shoe.” Also in this episode: La Cieca spills the beans about the Met’s planned German repertoire through 2012. Oh, and did she mention Act 2 of Der Barbier von Bagdad, starring Sena Jurniac, Rudolf Schock, and Gottlob Frick? Unnatural Acts of Opera.
This is the biggest limb La Cieca has ever gone out on:
Expect James Levine to make his official Met farewell at the end of the 2011-2012 season. (First hedge on this prediction: Levine will make occasional “guest” appearances with the Met after 2012.)
Remember, you heard it here first.
UPDATE: Gregory Kunde is now listed on the Met’s site for the prima of Puritani.
La Cieca hears that Eric Cutler did not sing the dress rehearsal of Puritani (anyone there to confirm/deny?) and, though his name’s still on the Met’s site, he won’t go on for the prima Wednesday. Thoughts?
And the tittle-tattle about (of all things) the 2012 Met season continues to filter in. The latest: the Donizetti “Tudor cycle” shared amongst Angela Gheorghiu (Anna Bolena), Anna Netrebko (Maria Stuarda) and Renee Fleming (Roberto Devereux [??!!]). All that, plus new productions of Guilliame Tell and Rienzi. Or, on the other hand, Earth may collide with a giant comet, so hold off on locking in the dates quite yet.
In the year 2012 we will all have robot servants to organize our collections of antique CDs!
In the year 2012 we will complain about the mediocre sound quality of holographic opera telecasts!
In the year 2012, stem cells will be used to used to regenerate node-infested vocal cords.
Oh, and did I mention that in 2012 Cristina Gallardo-Domâs will sing Menotti’s Saint of Bleecker Street at the Met?