The Verdi is always greener

La Cieca’s cher public are, as in so many aspects of their existence, well ahead of the curve on foreknowledge of casting at the Met in the bel canto and German wings. Perhaps this wintry Friday is a good time to move on to a more semi-substantiated gossip, now on the subject of the operas of Giuseppe Verdi. (Do keep in mind that none of this is set in stone. In fact, given the Gelb administration’s penchant for last minute switcheroos, one should probably hold off on booking tickets for 2012 until, oh, 2011 at the earliest.) But, anyway, herewith a few possible highlights of the next five years:

Next season’s hot ticket will surely be a rare revival of Ernani starring Marcello Giordani, Sondra Radvanovsky, Thomas Hampson and Ferruccio Furlanetto. That certainly sounds more fun than the new Macbeth “starring” Andrea Gruber, Leo Nucci. Carlos Alvarez, Marco Berti and Roberto Aronica. Will anyone be surprised at massive audience attrition following the second-act demise of Banco (John Relyea/Rene Pape)? Fans of Mr. Berti (if such there be) may expect to hear him as well in revivals of Ballo (shared with Salvatore Licitra, and featuring Dmitri Hvorostovsky‘s first local Renato) and Aida (alternating with debutant Nicola Rossi-Giordano in an otherwise dismal cast). Renee Fleming offers repeat engagements of La traviata and Otello, with Ruth Ann Swenson optimistically double-cast as Violetta and Johan Botha as the Moor.

Rumors of Ms. Radvanovsky’s “buyout” should be dismissed once and for all since she is on the books for two high-profile assignments in 2008-2009, a new Trovatore (opposite Mr. Lictira) and her first in-house Traviata (alternating with Anja Harteros). Those two up-and-coming tenors Giuseppe Filianoti and Joseph Calleja share Duca duties in a Rigoletto otherwise notable only for Diana Damrau‘s Gilda. And speaking of tenors, Placido Domingo is supposed to cross over to the bass clef for the title role in Simon Boccanegra, but La Cieca will believe that when she hears it.

The big news of ’09-’10 is the Met debut of Riccardo Muti leading the company premiere of Attila. There will be singers as well in this production, notably Violeta Urmana and less notably Ramon Vargas, C. Alvarez and Ildar Abdrazakov. Mme. Urmana will also join two other golden-age physiques, Dolora Zajick and Mr. Botha, for Aida. La Radvanovsky’s career continues full-tilt in a revival of Stiffelio heavy on hunk-appeal (Jose Cura and Mr. Hvorostovsky), and the Gruber doesn’t seem to be going away either: she’s up for a repeat of Nabucco.

As we move into the twenty-teens, we can foresee new productions of La traviata (with Anna Netrebko and Rolando Villazon in the Willy Decker update) and Don Carlo (probably not with Angela Gheorghiu, though the rest of the cast seems firm enough: Mr. Villazon, plus Luciana D’Intino, Simon Keenlyside/Anthony Michaels-Moore, Rene Pape. Antonio Pappano and Nicholas Hytner will reprise their Covent Garden duties. Also: revivals of I Lombardi (Giordani) and Il trovatore (Fleming). That year may also see Mr. Hvorostovsky’s Boccanegra.

The “jackpot” year of 2012 is still pretty much up for grabs, La Cieca hears, with only Falstaff (Bryn Terfel, James Levine) a definite maybe.

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