Archive for the 2010 Category

Anna as Anna?

Posted in 2010, 2011, domingo, guest critic, la cieca ci guarda la cieca ci vede, met, netrebko on January 15, 2008 by lacieca

La Cieca is loath to scoop dear Bradley Wilber, but rumors are swirling once again about future seasons at the Met. Perhaps the most controversial (among the cher public, at least) of these plans is a new production of Anna Bolena to open the 2011 season, with Anna Netrebko‘s pretty head on the chopping block. Further casting at this point is not set, though La Cieca is confident that speculation will run rife in the comments section.

Now, La Cieca is just going to suggest that we all don’t go off the deep end instantly and unanimously here, despite what at least some of may regard as perfect justification for doing so.

It does seem apparent that if Netrebko is determined to do bel canto (not saying “should be doing” mind you), then Bolena does make more sense than, say, Puritani or Lucia. Anna (Mrs. Tudor, I mean) relies less on vocal brilliance qua brilliance than those two roles, and the “fiery” character of the rejected queen is the sort of dramatic type that appeals to Ms. Netrebko’s lively theatrical instincts. We should also keep in mind that she now has more than three years of lead time and the availability of Scotto as a coach; as such she does have the opportunity to delve beyond a superficial reading of the music. (Again, no guarantees…)

It will also help, I think that the only “obligatory” sopracuto is the D at the end of the first act, a high interpolation so relatively that even Carol Vaness used to sing it.

But let’s not get too far ahead of ourselves. Need La Cieca remind any of you that the duration from 2008 to 2001 is the equivalent of a century in Gelb Years. By that time we may end up with Christine Ebersole opening the season in Pikovaya Dama.

Your doyenne further has heard that the title role in Simon Boccanegra (2010-2011?) has been reassigned to Placido Domingo, with Thomas Hampson shifted into a revival of Macbeth — opposite whom, La Cieca cannot venture to guess, though it’s a safe bet the cover will be Cynthia Lawrence. Domingo, La Cieca hears, is already preparing an “out of town tryout” for Verdi’s noble corsair with the Boston Symphony Orchestra.

But speaking of Macbeth, La Cieca regrettably has a previous engagement and so will not be able to take in this evening’s Lawrence/Ataneli version of the Scottish Opera. Any volunteers to serve as Guest Critic?

Dark year for NYCO?

Posted in 2008, 2009, 2010, mortier, nyco, sad on December 6, 2007 by lacieca

UPDATE: La Cieca has just heard that the “dark season” is not a done deal just yet. The NYCO board meets next week to make that decision. (Given how late in the game this is, most likely the “decision” will be no more than a formality. But La Cieca will keep her ear to the ground, not to mention her shoulder to the wheel and her nose to the grindstone. She also intends to free her mind with the intention that her ass should follow.)

La Cieca has been hearing whispers and grumblings from here and there for a couple of months now, so maybe it’s time to go out on a limb and predict that the New York City Opera will take a season-long hiatus in 2008-09. Yes, that’s right, no season at all, not until the opening of Gérard Mortier‘s first year of direction in the fall of 2009.

The primary reason driving La Cieca’s gloomy prediction is the lack of any sense of what the repertoire or casting would be for 2008-09, even as 2007 draws to a close. NYCO, like other opera companies, has a fairly long lead time in planning upcoming seasons. Their practice in recent years has been to lock in repertoire and casting more than a year before the beginning of a given season.

For example, it was fairly common knowledge by the summer of 2006 that the current NYCO season would include Vanessa, Cendrillion, King Arthur and so forth; major casting was already set by then as well. Repertoire choices for Mortier’s first season leaked several months ago: 2009-10 will feature The Rake’s Progress, Einstein on the Beach, Nixon in China, Věc Makropulos, Pelléas et Mélisande, Aufstieg und Fall der Stadt Mahagonny, Saint François d’Assise and Death in Venice.

No such details have surfaced about plans for 2008-09; in fact, an informant tells La Cieca that ever since early last summer “managers have been attempting to nail down the schedule and engagements for their artists, but have been met with stone cold silence from the [NYCO] administration.”

This same source continues with a little speculation that your doyenne must say she finds reasonable enough:

The official reason given [for the cancellation of the 2008-09 season] will be that Mortier wants to freshen up and fix the hall in conjunction with NYCB (and they certainly will take the time given to do some work on the State Theater, remove the sound system, etc.) but the real reason was he was so patently appalled by every performance he saw this year and last that he wants a literal fresh start for the entire company, and wants no attachment whatsoever to the past artistic administration.

"Bizarre and nondescript characters corralled from every stratum of society"

Posted in 2009, 2010, alagna, gheorghiu, jonas kaufmann, levine, met, scandale on October 19, 2007 by lacieca

La Cieca thanks the visiting Enzo Bordello for pointing out to her some recent updates to the indispensable Met Futures Page so painstakingly maintained by Bradley Wilber. Most of it sound plausible enough, but every now and then a piece of casting leaves La Cieca so stunned she hardly manage to quote a Waldo Lydecker quip. Such is the case with a projected 2009 revival of Adriana Lecouvreur with Maria Guleghina and Jonas Kaufmann.

That show at least seems possible actually to transpire, unlike the new Carmen in 2010. The announced team for the Bizet, which includes Matthew Bourne, Richard Eyre, Angela Gheorghiu, Roberto Alagna, Barbara Fritolli and James Levine, surely adds up to ten pounds of diva in a five pound bag!